Use left/right arrows to navigate the slideshow or swipe left/right if using a mobile device These are the actual sessions by bands like Gojira, Meshuggah, Periphery, Papa Roach, Machine Head, Bring Me The Horizon, A Day To Remember and more - and NTM is the only place in the world you'll get access to them! When Fredman mic'ing comes up, I see a lot of people ask if you don't run into problems with phasing, so I wanted to toss up an example of what's happening and why the phasing isn't a problem, but is actually why the technique performs as well as it does. The Fredman/Clayman guitar-amp recording technique requires one mic to be positioned very close, square-on, and central to a guitar amp’s speaker cone, while the other is held as close as possible and at 45 degrees shooting across the straight-on mic. If you've heard of the Fredman Technique for micing guitars (on mic on-axis, the other off-axis, then blended), you know that it changed metal guitar tone forever.Since Fredrick Nordstrom popularized it with At The Gates \"Slaughter Of The Soul,\" it's been on countless albums, and in this video he explains exactly how and why he does it with two SM-57s and his custom mic clip.Get instant access to Bring Me The Horizon multi-tracks and Fredrik Nordstrom's full mixing session ► http://nailthemix.com/nordstromNAIL THE MIX is an online mixing school created by Joey Sturgis, Joel Wanasek and Eyal Levi - the guys who produced bands like TDWP, Chelsea Grin, Blessthefall, Machine Head, Monuments, Miss May I, Of Mice \u0026 Men, Reflections, Born Of Osiris, Asking Alexandria and dozens more of this generation's best metal bands.Every month, NAIL THE MIX members get exclusive access to the REAL MULTI-TRACK SESSIONS from a REAL ALBUM, and a 6-8 hour live streaming class from the producer who mixed it. Cool audio stuff for cool people. The Fredman clip, designed to hold two SM57s at different angles in relation to a guitar cab. The guitar recording trick that changed metal ... - YouTube Putting a mic up; Setting Gain on Preamp; Listening back to the signal; Adjusting the microphone if I think it's too bright or too dark; Using an equalizer that will be committed (Analog or DSP like on an Apollo or Digital Mixer) We never did much high gain stuff so I never saw a need to try out the Fredman technique.

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